Category Archives: Arts

Art about sustainability.

Home Grown Art

Artist Barbara Cook smiles in her Sheffield, Alabama shop where she sells art made by herself and others from repurposed materials.

Barbara Cook, proprietor of Home Grown Art in Sheffield, Alabama, is seated on a fuzzy gold sofa, the kind you would find in your eccentric Aunt Zoe’s house. The one Aunt Zoe bought in the 1970s, and refused to part with. One look around the shop, and you begin to realize that the whole place kind of reminds you of eccentric Aunt Zoe. I look down into the succulents on a wooden rack to my right. A tiny green Apatosaurus looks back at me from beneath a cactus.

“I’m abstract, out there, and funky,” Cook says, and her shop is the proof. A riot of color, texture, and shape, the room where we are seated has geometric paintings in blues, reds, and rainbows on canvas and wood. A door sits on its side in the hall, an abstract painting by local artist Michael Banks. The coffee table before me and the bookcase to my left are covered in beaded bracelet and jewelry displays—bullet casings are a favorite found item in jewelry making—and a sunflower composed of several aluminumColor cans of varying sizes, painted the purple and gold of the University of North Alabama. Cook graduated from UNA in 2006.

“I love bringing new life to old things which some people would consider junk.

“I majored in interior design,” she tells me, “minored in art.” Unfortunately, she discovered that there weren’t a lot of opportunities for designers in our area or much of a market for abstract art, so she simply did it on the side. For the past five years or so, she salvaged furniture and bits of wood from the curbside, “anything to keep stuff out of the garbage that had potential—sometimes you really have to get creative.”

Then came Opelika. Her mother had an old home there—the house is somewhere between 80 and 100 years old. When she decided to replace some of the damaged hardwood floors, Cook decided that rather than see all that wood go into a landfill, she would bring it home and find a way to repurpose it. Soon after, Cook had a friend request to have a small painting framed; thus began the making of hardwood frames.

Cook shows off one of the frames made from the floorboards of her mother's Opelika home.
Cook shows off one of the frames made from the floorboards of her mother’s Opelika home.

“It’s strong wood and wasn’t taken up gently. Working with 80 plus year old wood wasn’t that easy and it wasn’t that fun sanding it.” She leads me to her desk in the back of this, the first of three rooms. A half dozen paintings of varying size and shape, some clearly hers, some the work of other artists, hang on the wall. This is where upcycling began for Cook. “Upcycling,” she says, “is not just repurposing. It’s making things more aesthetically pleasing. Stepping it up a couple of notches. I love bringing new life to old things which some people would consider junk.

Home Grown Art opened in June, 2016, and as of Thanksgiving, twenty artists, plus Cook, display and sell their work in her shop. Work is sold on consignment. As we tour the three display rooms, it becomes evident that for these artists, anything can become art. One of the artists has cut a wooden pallet and turned it into a decorative wine bottle holder with glass storage. A chainsaw chain has been turned into a beautiful but undoubtedly sharp impression of a guitar. Bottle top magnets sit on a display. Bright yellow and orange hand-knitted caps hang from the ceiling. A “Roll Tide” sign has been made from an upcycled piece of slate roof tile, and discarded wood paneling has been cut in the shape of the state and adorned with a white cross, reminiscent of the state flag. Cook is right at home amidst the collection: “Free material and helping our earth? It’s a win-win.”

Broken bits of tile and crockery become colorful mosaics.

One of the contributing artists has a clear devotion to mosaics. Shoes, mannequin hands and torsos, skulls, a mirror, a serving platter—each has been adorned with bits of tile, glass, pennies, beads, bottle caps and bits of chain. Sometimes the shapes are random, meant to accent the curves of a woman’s hand, fingernails and bracelets made permanent. Gold outlines the blue stone eyes of a skull, and the broken blue-gray, yellow, and maroon tile adorning it somehow reminds me of Mardi Gras, or Cinco de Mayo. Other times, a specific image is in mind: both the platter and mirror have been given tile inlays in the shape of trees. On the former mirror, a bright yellow sun cuts through lazing clouds to shine over a thick bushy tree—all of it in broken tile. Her pieces, like everyone else’s, are distributed throughout the shop.

Continued exploration reveals something more—the displays themselves are upcycled objects. A former cheese grater is an earring display, the grater painted red to contrast the jewelry. The fragile accordion-like wood trinket shelf that usually finds its way into children’s bedrooms have been hung from the ceiling, and from them colorful little air plants, squids of life and wire have been suspended from bent springs. Two small logs have been propped up for the .38 special earrings and other bullet casing jewelry. Not only were the hardwood floors repurposed for frames, they are also the backdrop and support for each painting on the gallery walls. Bathroom hooks, upcycled chairs and tables, all brought back from the rubbish heap for new life in a joyful visual and tactile menagerie.

Air plants hang from a repurposed trinket shelf.
Air plants hang from a repurposed trinket shelf.

Cook says that she wanted to create “a place where artists feel welcome and unique is accepted,” a home for local artists and their unique work. There aren’t a lot of options for local artists, she thinks. She has sold her work at First Fridays in downtown Florence, but has not yet participated in Arts Alive. Her goal, beyond selling works on consignment, is to create a workshop—her space in the back full of everything from furniture and paint to bags of fabric and yarn—and a space where local artists work together and learn from each other.

Cook’s shop is part of the community. Beyond providing a venue for the work of local artists, she is also selling prints of local landmarks created by Alabama artist Clay Allison, which have been donated to raise money for the city. But more than this, Cook is contributing to a healthy environment. “It’s important to keep stuff out of the landfill,” she says. “We’ve got to take care of mother earth.”

Home Grown Art is located at 206 E. 3rd St. Sheffield Alabama 35660. Visit them on the web at homegrownartisans.com

Gallery

Browse through some of Barbara’s upcycled furniture

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REVIEW: Unstoppable: Harnessing Science to Change the World by Bill Nye

Brandi Hope Johnson
University of North Alabama

Cover image: Bill Nye's book Unstoppable: Harnessing Science to Change the World.
Nye, Bill. Unstoppable: Harnessing Science to Change the World. New York: St. Martin’s Press, 2015.

In Unstoppable, science educator and mechanical engineer Bill Nye teaches his readers about global climate change and, most importantly, what they can do about it. Calling them the “Next Great Generation” who can make all the difference in saving the planet, he asks readers to consider all of the possibilities and opportunities to counteract climate change, such as creating clean, sustainable energy from solar, wind, and tidal sources rather than traditional methods like drilling for fossil fuels. “We face a challenge right now, you and I,” he writes, “that is even greater in aspect and scope than a global war. It is a battle for our house and home, and for our future on this planet.”

In contrast to the many books and articles that focus only on the terrifying effects of climate change, Unstoppable brainstorms solutions. Nye considers different ways to produce, use, and store energy and discusses various strategies for combatting climate change, both proactive (lowering carbon emissions) and reactive (actually repairing damage to the atmosphere). Some of the ideas presented, like the vacuum-tube Hyperloop transporation system, require further technological advancement to be feasible; others, such as pale pavement to lower temperatures in cities and reduce energy consumption, could be implemented today and make a significant difference in the rate and severity of climate change.

Inevitably, a book on climate change must address climate change deniers; Nye ably discredits their arguments using science and logic. “And yet,” he writes, “even now, after nearly fifty years of intensive research and more than thirty years of scientific consensus on the nature of global warming, there is still a sizeable group of people who grasp at any stray fact or, more commonly, any stray intuition, to help them deny what is happening. In denying the problem, they are also denying the need to step up and do something about it.” Nye points out that the most avid and influential climate change deniers are also the ones profiting the most from fossil fuel consumption. Overall, his argument is a convincing one.

Nye writes in a conversational, almost journal-like style, taking detours from the main topic to share stories from his childhood or explain how electricity and rockets work. Readers familiar with his 1990s TV series Bill Nye the Science Guy will recognize his characteristic sense of humor in presenting a range of scientific topics. Each chapter is short, and the concepts build on one another in a way that should be engaging and easy to follow for readers of various ages.

Unstoppable is worth reading for everyone who calls Earth home, a valuable guide to the many potential solutions to global climate change. Nye urges readers to expand on those existing ideas—to be innovative, to create tools and use materials in new ways, and to make big and small differences to curb the consequences of climate change. The book’s dedication carries his hopeful message: “To the Next Great Generation. Embrace science. Solve problems. Make things. Change the World.”

REVIEW: This Changes Everything: Capitalism vs. the Climate by Naomi Klein

Jacob Dawson
University of North Alabama

This Changes Everything by Naomi Klein
Klein, Naomi. This Changes Everything: Capitalism vs. the Climate. New York: Simon & Schuster, 2014.

Why is there such a wide and jagged schism between the international environmental conservation community and neoliberal capitalism espoused by many democratic and conservative politicians alike? Is every environmental organization trustworthy? Or may some activist groups be guilty of collusion with the big industry players responsible for so much of the pollution in the ocean and atmosphere? How is objective science sorted out from pseudoscientific and manipulative studies designed to obfuscate the issue and confuse or deceive the public? Naomi Klien answers these questions and many more in her newest book on the environment. She illustrates with rich color the underlying issues behind environmental policy and activism which have too often been portrayed in black and white by mainstream media.

Published in 2014, Capitalism vs. The Climate was immediately hailed as a revolutionary work, with reviews appearing in such outlets as Vogue, The Rolling Stone, and The Guardian. , The New York Times drew positive comparisons between it and Rachel Carson’s Silent Spring (1962), and further wrote that it “is a book of such ambition and consequence that it is almost unreviewable.” Naomi Klein is the author of several articles, chapters and books, gaining widespread recognition with her 2007 book The Shock Doctrine: The Rise of Disaster Capitalism. She has been interviewed by Amy Goodman, Bill Moyers, and Charlie Rose among others and serves as a member of the board of directors for prominent climate action organization 350.org.

The introduction to her latest work begins with a confession. She frankly admits, “I denied climate change for longer than I care to admit.” The feeling is one that many of us who make ourselves suffer through newscasts are familiar with. We all know the story but, like other forms of bad news, we tend to find reasons to ignore the problem or justify non-action on our part. This is classic denialism, and we must push ourselves to reach beyond this insidious and cowardly tendency to remain in willful ignorance. Emissions from sectors including manufacturing, big Ag, and transportation are rising, resulting in astronomical levels of carbon dioxide and other greenhouse gases. Global average temperature is rising, although locally this manifests as extreme weather events of various kinds. Recall the early 2014 southern shift of the Northern Polar Vortex that was the cause of 49 record low temperatures nationwide just on January 7, along with heavy snowfall prompting cancellation of flights, power outages, and other forms of widespread social disruption? How much longer can we safely remain in denial?

As human population growth continues to rise and civilization becomes increasingly concentrated in urban centers, the pressure exerted on natural systems overreaches their capacity to sustain life. Resulting unstable resource production increases susceptibility to famine and drought, and, in sequence, the spread of disease and civil unrest. Resource extraction at the current level is poisoning and stripping the land, rendering unable to yield crops in sufficient quantities to maintain high levels of population concentrated in cities. If global population continues to rise along with global emissions and global temperatures, then ecosystems will fail globally. When ecosystems fail globally, i.e., everywhere, nowhere will be left untouched.

Klein builds her case by reviewing how the political and socioeconomic climate relates to climate science. The United Nations Framework Convention on Climate Change (UNFCCC) has met annually since 1995 to discuss how to mount a coordinated response to global warming. Universities, NGOs, corporations, respected scientific personalities, celebrities, and even entrepreneurs and philanthropists recognize the need to reshape humanity’s relationship with our environment. Even while the movement is gaining strength, however, there are those who seek to undermine progress. Research and summit meetings aimed at discrediting the theory of human-affected climate change are frequently funded by oil & gas companies and laissez-faire economic think tanks favoring deregulation to minimize cost and maximize profit. One of the main forces preventing effective and rapid social change from taking place is the devotion to free-market capitalism by the same bodies (governments, corporations, NGOs) that are proponents of environmental responsibility.

Klein delves into climate change science and policy with remarkable foresight and courage. While her fondness for detail occasionally brings to mind the metaphor “beating a dead horse” after some 400+ pages, it ensures she does not fail at her task to systematically present the many varied and intertwined aspects of climate change science, policy, and activism. Wonderfully rich with passion and a sense of dire purpose, Klein is not afraid to get personal. Laced throughout with analogies and anecdotes to support the scientific consensus, she truly strives to encourage the weary would-be environmentalist. Her invitation to care is hard to resist as the story is as much about the evolution of her perspectives and feelings on the matter as it is about the matter itself. This is more than just a book. It is a challenge to engage in the world around and even within on a level of understanding and compassion rarely encountered. Please read this book!

REVIEW: Silent Spring by Rachel Carson

Brandi Hope Johnson
University of North Alabama

Silent Spring by Rachel Carson
Carson, Rachel. Silent Spring. New York: Houghton Mifflin Company, 1962.

“How could intelligent beings seek to control a few unwanted species by a method that contaminated the entire environment and brought the threat of disease and death event to their own kind?”

Rachel Carson’s question, asked in her 1962 text Silent Spring, requires the reader to take stock in the conditions under which Americans at the time were dealing with pest control.  This title, Silent Spring, comes from the silence in many forests and meadows due to the poisoning of songbirds, insects and other invertebrates, and even plants.  This now historical account of the use of pesticides has raised America’s awareness of the dangers of agricultural chemicals that had become commonly accepted during this time.  People from all generations may benefit from this book because it raises awareness of practices that are unsustainable and offers critical knowledge of effective alternative methods for pest control.

The book describes the chemical warfare in the United States and other countries that have killed so many organisms.  It begins by explaining the varieties of chemicals that have been used along with the documented affects they exert on specific life forms.  It explains different techniques that have been used to apply these chemicals and how they move from the point of source through virtually every piece of the food web.  The last chapter points out that the solution to the problem must be two processes happening simultaneously: first, experts must work towards a cure for those already affected, and second, they must isolate and remove as much of the contaminant as possible from the environment to prevent further damage.  The argument is not to avoid pest control altogether, but to find techniques that have been developed in a more natural way as an alternative to artificially-made chemicals.

Carson touches on several controversial topics that are accepted by environmentalists yet harshly rejected by others, especially those who profit from pesticide sales.  Because chemical companies profited so much from these pesticides, many companies denied Carson’s claims and attempted to discredit her research.  However, once she began tracking the effects of these chemicals, she found a trail of devastation.  For those organisms that did not succumb immediately, the chemical was stored and amplified in the fat cells.  She explains how exposure to chemicals everyday creates an accumulation of poison in the body that affects the liver and can inhibit some of life’s essential functions and even cause cancer in her research subjects.

Carson writes exquisitely about biology in a way the can be easily understood; she uses a direct voice, limited footnotes, and simple language with strong meanings to create a text that is easily accessible to lay readers who lack a deep science background.  This approach played, and continues to play, a critical part in relaying information from science labs to the general public.  One quote reads, “Those who contemplate the beauty of the earth find reserves of strength that will ensure as long as life lasts.  There is something infinitely healing in the repeated refrains of nature – the assurance that dawn comes after night, and spring after winter.”  These words create strong imagery in the reader’s mind.  The book was written during a time in which industrial factory production and agricultural use of pesticides were growing exponentially and many people had forgotten humanity’s connection to nature.  The exposure from this publication helped spread awareness during the beginnings of the environmental revolution.  Rachel Carson conveyed the historical, cultural, and environmental value of Silent Spring to anyone interested in more sustainable practices.

This book is suggested for anyone who has any love whatsoever for the planet they inhabit and anyone interested in sustainability.  The chemical warfare at that time was an extremely real threat to all life, yet pesticides were rained down from airplanes onto all vegetation, into the soil, into the water, into the worms, the birds, the livestock, and ultimately into the people.  The tone of Carson’s text is somewhat dark, but human degradation of planet earth is never a light topic.  The topic is difficult to discuss, and certain selections of this book can bring about feelings of guilt and remorse while reading.  However, this is sometimes necessary to help society realize the necessity of sustainability. Carson writes, “We must change our philosophy, abandon our attitude of human superiority and admit that in many cases in natural environments we find ways and means of limiting populations of organisms in a more economical way than we can do it ourselves.”  This message, which she wanted to convey to both her generation and future generations, is that humanity must look to nature for the answers if we want our forests and meadows filled anew with the sound of the songbirds.

Featured Art: Gaia with Dog and Inside Out

Gaia with Dog
Gaia with Dog
Inside Out by Carty Bledsoe
Inside Out

Artist’s Statement

The pressing need to take account of the wounded state of all living systems is pivotal in my work, plus a focus on the interior life of people living in a fractured world, disconnected from Earth’s cycles. I like to push space around by juxtaposing colors, playing the second dimension off the third. George Tooker, Max Beckman, and Giotto were early influences. I graduated from the Boston Museum School in 1990 with a focus on Drawing.

—Carty Bledsoe

Cover Art: Starry Night Revisited

Starry Night Revisited

Artwork: Starry Night Revisited

Starry Night Revisited is a playful, cartoon spin-off of the familiar Vincent Van Gogh masterpiece painting Starry Night, illustrating the transition from the outdated era of dirty fuel, polluting industries and “throw -away”, wasteful consumerism to a brighter, cleaner today of a renewable energy economy and sustainable way of life.

Artist: Nancy Muse

Nancy Muse is a full-time, county-wide, elementary visual arts specialist in Lauderdale County Schools, serving 1,000 students per week at four schools. Over the years, she has taught music and art in the Shoals area community, including private lessons in piano, banjo, and guitar and has also organized community arts events and conducted art workshops and camps for children and adults.

  • BA, Visual Art, Agnes Scott College, Decatur, Georgia, 1977
  • Visual Art Education Specialist Certification, N-12, University of North Alabama, Florence, Alabama, 1988
  • President and founding member of Shoals Earth Month, a 501(c)3 that hosts the Shoals Earth Day Fest
  • Founding member of the Shoals Environmental Alliance, a local environmental education and watchdog group